Putting this year’s Erotic Art Show together, I have received a number of complaints, eyebrow raisings, and yes, a few congratulations on keeping the art scene in Kelowna interesting and on edge.  Never has the response toward an art show been on each side of the spectrum. I am still musing over why this is, and I have come to a few conclusions – you’d like me to share? Oh, how nice, I thought you’d never ask.

I think it has to do with the complacency of the Okanagan. The majority of artists are complacent here. We live in a nice spot, we have nice weather, the people are nice, not that much crime, you get the idea? Some are in danger of becoming so complacent that they have become unconscious – similar to the people of Spectre in Big Fish.

Well, people, wake up!

I hear: “My work  can only be shown in this type of venue, this sort of place, in this manner, by these people, by this organization, with this organization, as long as my other half approves” ….

Have you heard the song “Little Boxes”, the theme song for “Weeds”?

Let’s start with something specific: the venue. The biggest complaint has to do with the venue not being “valid”. Valid for what? Where is your free spirit and your imagination and your vision?  I think I have already explained the vision in terms of making the show a success by placing it in a venue that is subject related, and where the attendance will be focused. What exactly do you think goes on at the “Seattle Erotic Art Show”, or the Calgary “Taboo Naughty but Nice” show, which are attended by THOUSANDS of people? The people who are going to the Fantasy Show are actually interested in that subject matter! It is the ideal place for brides to have a shower, it is the ideal place for couples looking to push the envelope for their relationship, or maybe regain some of that magic. Lovely art that gives the bedroom that “special” feeling of warmth and invitingness. Sheets that are sublime, candles and scents that make the bathroom a new sensual place, and too short, lacy lingerie to take off ever so slowly with a caress that kindles that inner fire.

Some have said they don’t want their art next to “porn” stuff. Excuse me? What is porn stuff? “oh, you know, like toys and movies and such”. Exactly what do you think is going to happen? That Linda from Deep Throat is going to come along and swallow the gallery whole? The difference between porn and erotica is subjective yes, to varying degrees, and however, if you are one of these people who can’t handle looking at nude bodies in art, please do not visit the Sistine Chapel or any other churches in Europe. You might be in for a shock. Most artists, though, recognize and accept the validity of the erotic in art, and know the difference. If you don’t know, then overall, porn is external  – without positive supportive emotion – wham bam thank you ma’am, or masterbating as performance to an audience who really doesn’t give two shits and a holler about you (did you not question why masterbation is not an acceptable form of “expression”  for the erotic show?) …  and erotica involves the conscious decisions, the relationship, the sincerity, the interaction between two people, a supportive environment, an invitation to a dance.

This Xtream Fantasy Sex Show will be a sincere, safe and fun environment. It is your invitation to dance – you can decide yourself if you want to do the jitterbug, the waltz, or a jive (okay, showing my age.) It is up to you. The Fantasy Show will be providing you with a buffet, you can choose what to have yourself, and how daring you wish to be in the tastings. The question is, will you be brave? Or maybe your sex life is over. Maybe you have shut that part of you off – if so, not surprising you are somewhat unconscious -  but wouldn’t it be amazing to grab hold of it again, or is that too much effort? The art will be in its own Art Gallery area as it is its own identity. By saying the gallery will be swallowed up by the items next to it is just a little absurd, don’t you think?

Natasha has said “Your relationship isn’t sleazy and neither is this show.” Couldn’t have said it better myself.

Next, let’s address the place of “your” art amongst other erotica items – such as lingerie, sweet smelling stuff, and yes, sex toys. The overall goal of the Fantasy Show is to have all aspects of the human sexual personality represented, whether it be shoe fetishes, costume fetishes, tantra yoga or BDSM. Each of these are valid and sincere representations and manifestations of someone’s sexual experience, and to deny these is no different than to deny gay/lesbianism. To deny that other facets of our human erotic psyche and physical being exists is to stick your head in the ground and suffocate. In my opinion. And since I really do like you, I’d like it if you came up for air once in a while.

Now realize I am not asking you to participate in any of these events, but they do exist and they are valid.

To deny these sexual expressions, is the same principle as denying that landscapes can be art, or that fruit can be interesting. By drawing a line saying one is, and one is not, is exclusionism, … If you catch yourself saying “I’m not going to show my work in that venue” maybe ask yourself “why” and give yourself an honest answer. If you are okay with being exclusionary, well, sorry I can’t help you there, but I would question whether your art is conscious… or not.

Studio 113 – A New Artist Cooperative opening Feb 2010

Okanagan, BC – Jan 1 2010 - A four artist studio gallery will open in early 2010 at the Rotary Centre for the Arts. Julia Trops, who was the sole occupant of Studio 113 for the last four years, has opened her space up to three artist friends Anjy Bonten, Rebekah Wilkinson and Trina Ganson.Trops explains, “My friends and I have been talking about a cooperative for over a year now, and as with all things, the timing needs to be right.”

She continues, “After graduating in 2001 from the University of Lethbridge BFA program, I’ve been in the RCA as a solo artist since it opened in 2002. I feel that it is time for me to move on in the sense of letting go of some of the art community interaction, and focusing more on my own work. I will still keep ties to the RCA, and I know this increase of artist density will help the RCA as well.”

Julia Trops

More Artists

“More artists will have the same opportunities I had, and this exposure will open the spectrum for cultural interest in a number of ways: it will cover a larger number of age groups as well as a wider variety of styles and disciplines. We will have a number of focused shows to further engage the community.”

Tracie Ward, Executive Director for the RCA: “This is a very exciting development, and the RCA will benefit from having increased usage.” It will continue to be a workspace, but the community interaction in terms of artist presence and instruction will be increased.

Angela Bonten

Angela Bonten

Angela Bonten

Angela Bonten is actively involved in the Arts Council of the Central Okanagan as the Director of the Artscape program. Bonten coordinates art exhibits for professional and emerging artists in various public venues in Kelowna such as Okanagan College’s new Centre for Learning, Kelowna Community Theatre and the 2nd floor Kelowna Library.

“My artistic career spans over 30 years. I am excited about the opportunity of sharing a working space with Julia, Rebekah and Trina,” Bonten says.  “Graduating from both a fibre art program and a visual art program, I have exhibited across Canada and have been included in many juried shows. As we are diverse artists it will be exciting to see how the creativity explodes as we become acutely aware of each others artistic endeavours.  As well as painting, this opportunity will allow me to further explore my paper making and fabric art and I expect to offer classes in this medium.”

Rebekah Wilkinson

Rebekah Wilkinson

Rebekah Wilkinson

Rebekah Wilkinson, an artist who holds a BFA from the University of Guelph, and who does work in charcoal and acrylic, is quite excited about undertaking this new adventure in the RCA. “I can’t wait to work with these ladies as together we have great energy. All of us are go-getters, and will be a terrific boost for the RCA by adding our various disciplines. I look forward to turning this energy into enormous success. It should be a ton of fun!”

“We will be having an opening for this new coop Studio 113 on Thursday, February 4 during the First Thursday event. But starting in January, the four of us will be rearranging and setting up our gallery/studio space in the RCA.”

Trina Ganson

Trina Ganson

Trina Ganson

Trina Ganson is a printmaker who specializes in lift prints, and monoprints, intaglio and other forms of etching.  Trina holds a BFA from the University of BC Okanagan and many in the art community will know her from her traditional day job with Opus Art Supplies. She has exhibited in various venues including with the Malaspina Printmakers Society, as well as SOPA here in Kelowna.

“We have a number of shows/exhibitions planned that would take us through 2010 and the main floor studio corridor will be dynamically activated. I am very excited about the possibilities presented by the RCA, and I love to teach Printmaking.”

Grand Opening, meet the artists

For more about these artists, please visit their websites, and come down for the Grand Opening on February 4th during the First Thursday 4-7 pm. An Angela Bonten artwork was chosen for the the cover of the James Avery CD “Textures Canadiana”. You can meet Anjy and see her work in conjunction with the Avery CD release concert on 23rd January at the Mary Irwin Theatre.

Websites: Julia Trops, Anjy Bonten, Rebekah Wilkinson, Trina Ganson.